Search results for "Sinéad Morrissey"

showing 5 items of 5 documents

Actaeon Revisited: Seamus Heaney and Sinéad Morrissey Respond to Titian

2014

International audience

Literature[SHS.LITT]Humanities and Social Sciences/Literaturebusiness.industrymedia_common.quotation_subjectAerospace EngineeringArt[ SHS.LITT ] Humanities and Social Sciences/LiteratureTitian[SHS.LITT] Humanities and Social Sciences/LiteratureekphrasisIrish poetrySeamus HeaneybusinessIrish poetrySinéad MorrisseyComputingMilieux_MISCELLANEOUSmedia_commonNew Hibernia Review
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Undercurrents and crosscurrents revealed: Sinéad Morrissey’s parallactic poetry

2015

International audience; In Parallax (2013), her most recent collection of poems, Sinéad Morrissey is attracted to affections “embedded in our cells”, to realities “on the periphery”, to “what happens outside”, to “the accidental”, to “world[s] that can’t be entered”, to “conversation[s] no one else can hear”. She also explores oblique, alternative perspectives that she describes in “The Mutoscope” as “what-the-butler-saw perspective[s]”. Parallax – the optical phenomenon used in astronomy to measure the distance of nearby stars and celestial bodies - serves as the prime metaphor for Morrissey’s poetical and metaphysical quest: the implications of the angle of vision and distance on percepti…

[SHS.LITT] Humanities and Social Sciences/LiteratureIrish poetryparallaxundercurrents[SHS.LITT]Humanities and Social Sciences/Literature[ SHS ] Humanities and Social Sciencesself-exegesis[SHS] Humanities and Social Sciences[ SHS.LITT ] Humanities and Social Sciences/Literatureemotionsart imagesSinéad Morrissey[SHS]Humanities and Social Sciences
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Blessures et sentiments : les poèmes de Sinéad Morrissey

2018

This paper explores the poetry of Sinéad Morrissey (born in Portadown, Northern Ireland, in 1972), one of the most highly regarded of the younger generation of contemporary Irish poets. Taking into account her six collections to date – including There Was Fire in Vancouver (1996), The State of the Prisons (2005), Parallax (2013) and On Balance published in 2017, it examines the great variety of poetical strategies – analogy, metaphor, polysemy, play on form and perspective, pictorialism and iconicity, ekphrasis, etc. – that Morrissey uses to tell of most personal experiences (physical pain, exile, loss, pregnancy and motherhood, confrontation with forms of otherness, states of imprisonment,…

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureContemporary Irish literatureindirectionJapanese culturesentimentfeelinginterculturalitylittérature irlandaise contemporaineinterculturalitéSinéad Morrisseyculture japonaise
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" Les métamorphoses d'Actéon "

2014

International audience

[SHS.LITT] Humanities and Social Sciences/Literatureekphrasis[SHS.LITT]Humanities and Social Sciences/LiteratureSeamus HeaneyDiana and Actaeon[ SHS.LITT ] Humanities and Social Sciences/LiteratureTitianSinéad MorrisseyComputingMilieux_MISCELLANEOUS
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Corpus Dolorosus: Bodies in Sinéad Morrissey's Poetry

2013

International audience

affliction[SHS.LITT] Humanities and Social Sciences/LiteratureIrish poetrydivided selfpoetic creation[SHS.LITT]Humanities and Social Sciences/Literaturemediation[ SHS.LITT ] Humanities and Social Sciences/LiteraturebodyalteritySinéad MorrisseyComputingMilieux_MISCELLANEOUS
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